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Wie ein Stück. It was published in in the avant-garde journal manuscripte of Graz and premiered on the stage of the Schauspielhaus Bonn on February 12, , directed by Hans Hollmann.
The title "parodically conflates women with illness. Heidkliff, after falling in love with another woman, Carmilla.
Carmilla is married to Dr. Benno Hundekoffer. During childbirth, Carmilla dies, but is turned into a vampire by Emily. When Dr. Heidkliff discovers Emily's transformation and decision to leave him for Carmilla, he and Benno decide to track down both women in order to kill them for "mock[ing] creation.
Leanne Dawson notes that the play contains references to Kleist 's Penthesilea and the Dichter-Vampir Vampire poet found in Goethe 's Die Braut von Corinth , which "provide an unusual intertextuality between the femme vampire and the German literary canon, which blends high and low culture.
Heidkliff's planned killing of the two women. On how he plans to kill the women, Heidkliff says, "Plane the head down, fill up the mouth and cunt with garlic.
Bruno Hundekoffer. Gitta Honegger, an academic and translator of Jelinek's work, states, "The undead have haunted Jelinek's plays ever since a woman dying in childbirth returned as a vampire in her play Illness or Modern Women.
Vera Boiter assesses the play by how it "appropriates the usual patriarchal stereotypes, images, and ideologies by completely reversing them and hurling them back to their place of origin.
The vampires, Carmilla and Emily, for example, reverse the alleged natural designation of women as childbearers. Instead of giving life, they suck the blood of the children and 'take away' life.
When Carmilla exclaims, "I am sick, therefore I am," she provides a "Cartesian affirmation of a female hysteric condition, the line is a telling example of how Jelinek seeks to inflate sexually exploitative language and female stereotypes in order to invert the representational tradition.
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